책소개
영국의 엘리자베스 1세 시대의 연극 무대 제2권. The Book of The Elizabethan Stage (Vol 2 of 4), by E. K. Chambers
예술.대중문화 . 연극 희곡.
엘리자베스 1세 시대의 연극 무대 제2궝. The Book of The Elizabethan Stage (Vol 2 of 4), by E. K. Chambers
영국 여왕 엘리자베스 1세 시대의1558-1603 . 연극 공연 무대.
영국의 영국 여왕 엘리자베스 1세 시대의1558-1603 . 연극 공연 무대. 에 대한 제2권으로 , 아동및 소년들의 중대 부대 및 학교에 대해서 기술하고 성인의 중대 부대는 옥스포드 및 킹스맨 및 여왕의 맨에 대해서 기술하고 국제 중대 부대는 이태리 스코틀랜드 유럽대륙의 연극을 공연. 또한 극장및 연극 하우스 및 배우에 대해서 기술함, 등에 대해서 목차에 있는 것 처럼 기술.
THE ELIZABETHAN STAGE
BY E. K. CHAMBERS. VOL. II
OXFORD: AT THE CLARENDON PRESS
M.CMXXIII
[v] Printed in England
목차
영국의 엘리자베스 1세 시대의 연극 무대 제2권. The Book of The Elizabethan Stage (Vol 2 of 4), by E. K. Chambers
CONTENTS
VOLUME II
BOOK III. THE COMPANIES
PAGE
XII. INTRODUCTION. THE BOY COMPANIES 1
A. Introduction 3
B. The Boy Companies?
i. Children of Paul’s 8
ii. Children of the Chapel and Queen’s Revels 23
iii. Children of Windsor 61
iv. Children of the King’s Revels 64
v. Children of Bristol 68
vi. Westminster School 69
vii. Eton College 73
viii. Merchant Taylors School 75
ix. The Earl of Leicester’s Boys 76
x. The Earl of Oxford’s Boys 76
xi. Mr. Stanley’s Boys 76
XIII. THE ADULT COMPANIES 77
i. The Court Interluders 77
ii. The Earl of Leicester’s Men 85
iii. Lord Rich’s Men 91
iv. Lord Abergavenny’s Men 92
v. The Earl of Sussex’s Men 92
vi. Sir Robert Lane’s Men 96
vii. The Earl of Lincoln’s (Lord Clinton’s) Men 96
viii. The Earl of Warwick’s Men 97
ix. The Earl of Oxford’s Men 99
x. The Earl of Essex’s Men 102
xi. Lord Vaux’s Men 103
xii. Lord Berkeley’s Men 103
xiii. Queen Elizabeth’s Men 104
xiv. The Earl of Arundel’s Men 116
xv. The Earl of Hertford’s Men 116
xvi. Mr. Evelyn’s Men 117
xvii. The Earl of Derby’s (Lord Strange’s) Men 118
xviii. The Earl of Pembroke’s Men[vi] 128
xix. The Lord Admiral’s (Lord Howard’s, Earl of Nottingham’s), Prince Henry’s, and Elector Palatine’s Men 134
xx. The Lord Chamberlain’s (Lord Hunsdon’s) and King’s Men 192
xxi. The Earl of Worcester’s and Queen Anne’s Men 220
xxii. The Duke of Lennox’s Men 241
xxiii. The Duke of York’s (Prince Charles’s) Men 241
xxiv. The Lady Elizabeth’s Men 246
XIV. INTERNATIONAL COMPANIES 261
i. Italian Players in England 261
ii. English Players in Scotland 265
iii. English Players on the Continent 270
XV. ACTORS 295
BOOK IV. THE PLAY-HOUSES
XVI. INTRODUCTION. THE PUBLIC THEATRES 353
A. Introduction 355
B. The Public Theatres?
i. The Red Lion Inn 379
ii. The Bull Inn 380
iii. The Bell Inn 381
iv. The Bel Savage Inn 382
v. The Cross Keys Inn 383
vi. The Theatre 383
vii. The Curtain 400
viii. Newington Butts 404
ix. The Rose 405
x. The Swan 411
xi. The Globe 414
xii. The Fortune 435
xiii. The Boar’s Head 443
xiv. The Red Bull 445
xv. The Hope 448
xvi. Porter’s Hall 472
XVII. THE PRIVATE THEATRES 475
i. The Blackfriars 475
ii. The Whitefriars 515
XVIII. THE STRUCTURE AND CONDUCT OF THEATRES 518
________________________________________
[vii]
LIST OF ILLUSTRATIONS
Domus Capitularis Sti Pauli a Meridie Prospectus. By Wenceslaus Hollar. From Sir William Dugdale, History of St. Paul’s Cathedral (1658) Frontispiece
Diagrams of the Blackfriars Theatres p. 504
Interior of the Swan Theatre. From the drawing after Johannes de Witt in Arend van Buchell’s commonplace book p. 521
NOTE ON SYMBOLS
I have found it convenient, especially in Appendix A, to use the symbol < following a date, to indicate an uncertain date not earlier than that named, and the symbol > followed by a date, to indicate an uncertain date not later than that named. Thus 1903 < > 23 would indicate the composition date of any part of this book. I have sometimes placed the date of a play in italics, where it was desirable to indicate the date of production rather than publication.
